An agent has rejected
you.
Your CPs and beta readers
have given back mixed feedback and a bunch of edits.
Maybe you didn’t get chosen
by a Pitch Wars mentor or into another writing contest.
Now what do you do
with the manuscript?
Well, in my opinion,
there are several essential steps that every author post-rejection or those
hesitating outside the gates of revision hell should take before they even consider
diving in. Of course, if you’re on some kind of deadline then some of
these steps might need fast-forwarding, and, to be honest, the more developed
your writing and techniques become, or with certain manuscripts, not
all will need to be tackled. And, it just might be the time to find your manuscript a resting place upon that high, dusty shelf, but that's a blog for another day.
So, check out my (slightly tongue-in-cheek) eight step plan before diving into edits...
One: try calling the manuscript a name. Something nasty, evil, cutting. Attack
that stupid, nasty, garbage bit of work. She’s let you down, for goodness sake.
Ruined your only chance, your whole career. Call her Butt-Stink or Total Loser or
WOS (Waste of Space) or F**ked-Up A**hole *C**t. Too much? OK, sorry. Let’s run
with Vomit Pile for now.
Two: it’s perfectly OK to feel down in the dumps and overwhelmed. In fact,
it’s completely normal and totally deserved. Every writer spits a little piece
of soul into their Vomit Pile, and when she gets knocked back, skinned alive, and ripped
to shreds, it’s a total punch in the gut. So, by all means:
1)
wallow in
a little misery
2)
pour a
small (MASSIVE) glass of cheap plonk – or that Jamaican coconut rum 90% proof you brought back from holiday 10 years ago
3) eat dessert-spoonfuls of sugar straight from the packet whilst those hot tears drip drip drip
4)
blame
everyone else (because it’s totally someone else at fault)
5)
create a
pillow and blanket fort and hunker down with the rum and sugar
6)
forget the
housework and family (sorry, who?)
7)
scream
into the mirror
8)
shrivel up
in the tub
9)
tell
yourself you should never write again and you were an utter fool to think you
could ever be a writer
10)
have
imaginary conversations, with whomever, in which you convince the world that you obviously write as well as Patrick Ness
and this book should definitely go to auction where six-figure bids bounce around the room from all the big publishing houses
11)
Cope
however you must, will, and can
Three: give yourself a sharp, stingy slap round the face because that’s where
the depression has to end. No more misery, no more sugar, no more alcohol. A
couple of days, maybe even a week or two is enough then take back control and end
it. Pull on the boxing gloves and get back to work. You can and will become a
brilliant writer if you’re prepared to scramble out this angry pit of despair. No
famous author became famous for the giving up. No bestseller got to the top of
the charts because revisions came to an abrupt end.
Four: take a week or two off from writing, or at least from prodding and
poking Vomit Pile. Go to the bookstore (physical or virtual) or library and
load up on books – preferably bestsellers or new releases in the same category
and genre as Vomit Pile. AND READ THEM. Read, digest, analyse.
1)
Write down
everything you know about the characters in the book to analyse the amount of
work gone into characterisation
2)
Write or
draw a picture of the world/town/house/room in which the character lives to
analyse the amount of work gone into world-building
3)
Note down
what and when you smell, hear and feel something, then study how the words
evoked this
4)
Highlight
when you are overwhelmed with emotion then note down exactly what you felt and what
words, what moment set you off
It might be that you
don’t have issues with some of these aspects in your own writing, but it doesn’t
mean you can’t improve upon what you have or you should stop studying how other
authors succeed in creating their magic.
Five: Write some other stuff. Blogs or magazine articles about anything –
maybe rejection, short stories, plot outlines for new novels, character
profiles. Absolutely anything and everything but not Vomit Pile.
Six: Crack on with some CPing or beta reading. This will always be one of
the most awesome and effective ways to learn how to accept criticism because dishing out
feedback and advice is a whole different ball game when you’ve been on the
receiving end. Plus, it teaches you how to ‘see’ your manuscript, your
sentences, and your structuring critically.
Seven: After all the reading, critiquing, and studying, and the all important
time away from her, go to that toxic, green-glowing folder and whip out Vomit Pile. There she
is. In all her hideous, rejected ugliness. Now, if you can, send her to your
e-reader or print her in a different font than you're used to. Then read her. Uninterrupted. Aloud,
if you like. No pauses for analysis, no time-out to ask questions, no note-taking
or stunning and elaborate rainbow-effect highlighting. Just indulge that poor,
neglected beast for a moment and treat her like the book she is.
Then, write critically
and in detail about Vomit Pile. Really go for it. Cover all the elements of
the manuscript as if you were writing a book review for Goodreads or Amazon. How
did it make you feel? Was the writing smooth and the voice clear? Were there
any areas you lost interest or where you skipped sections? Were the characters
believable and well-defined, were their motivations obvious? Were the stakes
high enough to create enough tension and an addictive read? It’s going to be
hard because you know the background, but do your best.
Eight: And finally, it’s time to re-read the feedback you’ve received and get
down to edits. And also the moment for you to refer immediately to the other sensational editing blogs on
this website!
All in all, peeps, revisions
can be tough and rejection a nightmare. So give yourself a break, have some fun
and a little down time, and keep focused. Making your book shine was never
going to be easy. But snatch back those reins and kick Vomit Pile’s butt. Show the world that you're not a quitter and you can make this book better.
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